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The Pole's ice is also the best spot on earth to find clues to the origins of the
universe. In the past five years, Antarctic-based astrophysics research has mushroomed
and is now one of the top endeavors at the Pole. The South Pole's new Antarctic Muon
and Neutrino Detector Array (Amanda) - a system that scans the ice cap, looking for
the tiny subatomic particles as they pass through the planet - is already the largest
anywhere. And a larger one is under construction: the $250 million IceCube neutrino
detector, which will cover a cubic kilometer of ice with an array 100 times the size
of Amanda.
This new research is attracting scores of eager scientists, and the southerly migration
has triggered the first-ever housing crisis on this mostly uninhabited, 5.4 million-square-mile
Popsicle. Marty points out that a facility originally intended for 33 men (literally
an all-male crew, with two to a room) now sees more than 150 researchers and staff
in the summer and about one-third that many through the eight-month austral winter,
which begins in February. During the summer, overflow residents sleep in Korean War
surplus tents on the snow.
So why not just expand the current structure? Not an option, explains Marty - the
sheer weight of snow piling onto its exterior is gradually crushing the dome. At
one point, snow buried enough of the shell that residents could ski off the roof.
And if that doesn't sound threatening enough, consider the fate of the original, 1956
South Pole station, a precursor to the current dome: It has long-since vanished under
30 feet of ice.
Ferraro Choi and Associates, the South Pole station's principal architectural firm,
is headquartered in downtown Honolulu. On most days, temperatures here top 80 degrees
with light northerly trade winds. Soaring palms shade the building's courtyard, where
people eat lunch outside year-round. William Brooks, the project's 51-year-old leader
- who is tall and stocky, with a faint resemblance to Brian Dennehy - typifies the
mainlander haole: His forehead is sunburned, arms tanned to the elbow; he wears a
bright orange T-shirt emblazoned with a logo for Freakin' Hot Sauce.
Brooks got started on the project in the early 1990s, when the NSF, having abandoned
hopes of salvaging the old centerpiece of the South Pole, began soliciting ideas
for a wholly new compound. The vision that emerged was of an elevated station, one
that would prevent blowing snow from piling onto its exterior. For six months, Brooks
studied specs from other Antarctic outposts and consulted Alaska-based engineers
and NASA astronauts familiar with working in extreme cold and darkness. His final
plan, which won Ferraro Choi its NSF contract, featured a two-story complex with
steel pylons fastened to a horizontal foundation - which Brooks compares to a giant
raft on an ocean of ice - and nearly 10 feet of ground clearance to let snow freely
pass beneath.
"We used computer modeling to predict wind speed over every square inch of the building," recalls
Joseph Ferraro, a founding partner at Ferraro Choi who wears an aloha shirt and shuts
his eyes as he talks of the Pole, as if it's impossible to conjure with windsurfers
gliding by outside his window. The designers tested mock-ups in wind tunnels and
experimented with fluid dynamics. Finally, they built a scale model about the size
of a conference table and left it at the Pole for a few years to watch what would
happen.
By raising the station high enough so wind could channel above and below it, the Ferraro
Choi design solved the snowdrift issue. But there was another problem. "The entire
snow plain is crushing under its own weight," explains Brooks. "So the building is
like a boat going down with low tide." His plan called for a series of hinges at
various joints to absorb any minor shifting. That way, doors and windows will stay
centered in their frames as the ice below tweaks the foundation. Brooks also integrated
thermal breaks - large neoprene gaskets - wherever a steel beam penetrates the interior. "This
prevents heat transpiration down the pylons and into the snowpack," he says.
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